Takahiko Iimura Movies

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

A compilation tape of performances including John Cage Performs James Joyce, Arakawa, and Iimura's first AIUEONN and As I See You You See Me shot...

Shot on 8mm on the 12-day boat journey between Yokohama and San Francisco, Iimura's The Pacific Ocean consumes the anticipation and uncertainties of...

Cameras once again observing each other.

Film by Takahiko Iimura

A portmanteau of two films about Uluru (then known as Ayres Rock). "A huge isolated rock in the midst of desert in Australia: Ayers Rock. I produced...

"Of the new foreign work I saw, (at the Avantgarde Film Festival in London) that of Taka Iimura interested me most – His film + & -, using...

A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...

“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...

MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They are shown alone as well as together, one over (or...

Experimental short by Keiji Aiuchi.

‘New York Scenes’ (1967) is sketches of certain scenes and portraits in New York including, ‘Linda with a lens’, ‘Fire...

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

Short work.

Sky and ground which was cut off momentarily / A camera wanders seeking its own shadow / The images which explore the limit / of solitude in New York...

“Moments At The Rock,” shot with an amateur video camera, was made as a free style improvisational film. The camera got strange halations...

This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and...

Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...

A journey through light and darkness reflected on the city of New York.

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.