Robert Fischer Movies

From footage filmed in 1983, this documentary presents an interview with director Jack Arnold and his reminiscences of the making of the 1957 film...

Feature-length interview film with Bernhard Sinkel about his four-part film 'Fathers and Sons' (1986).

A thorough exploration of the themes and making of Fassbinder's "I Only Want You to Love me".

Screenwriter Christoph Fromm discusses his experience working on The Cat (1988)

Vilmos Zsigmond on 'Blow Out'

In-depth interview with filmmaker Sam Irvin who, in 1977, worked on Brian De Palma's The Fury as a production assistant, extra, and journalist for...

THE MAKING OF HIGHLANDER is a four-part documentary which covers virtualy every aspect of the behind-the-scenes adventure of filming Russell...

A first-hand account of the shooting of John Frankenheimer's The Birdman of Alcatraz by the film's camera operator, Richard H. Kline, ASC.

An interview with cinematographer Nestor Almendros about his work with French film director François Truffaut. Footage taken from the 1986...

Interview with Alain Jessua about his work on Max Ophuls' 1953 film THE EARRINGS OF MADAME DE...

Documentary about the making of the movie "The Boston Strangler".

An interview with cinematographer Richard H. Kline talking about his filming experience in Brian De Palma's film The Fury.

Ophuls scholar Alan Williams discusses the French director's 1950 film

Film scholar Jean-Pierre Berthome discusses Max Ophuls' original script for his 1952 film LE PLAISIR and its relationship to the three stories by Guy...

Film scholars Mary Desjardins, Amy Lawrence, and Patricia White consider the collaboration between Marlene Dietrich and Josef von Sternberg, as well...

Milos Forman talks Robert Fischer through his filmography and the difficult transition from Czechoslovakia to Hollywood. Shot in 2000, edited and...

George Litto on 'Blow Out'

Director Dominik Graf discusses his experiences working on his film The Cat (1988)

In an archival interview filmed in 1989, Tony Aboyantz discusses his work on Max Ophuls' 1952 film LE PLAISIR.